This research investigates the profound and possible relationship between literature and the forced lockdown experienced by humanity during the recent pandemic. The author reflects on how lockdown, while a painful experience, acted as a unique catalyst for literary creation and existential reflection. The study identifies three key dimensions of this relationship: lockdown as a thematic source of inspiration, as a primary engine for creativity, and as an avant-garde space for writers to explore new narrative forms. By analyzing the link between physical constraint and intellectual freedom, the article explores how writers transformed their isolation into a productive laboratory for art. The paper delves into the history of literature created under duress, highlighting that art often thrives under pressure rather than absolute freedom. It examines the psychological impact of confinement on the creative process, where the lack of external movement forced an internal journey of discovery. The study also considers the role of reading during lockdown as a vital means of coping with global uncertainty and social distance. Ultimately, the research concludes that the interaction between literature and confinement is a crucial field of study for understanding how culture adapts to global crises. Literature emerges as a resilient force capable of transcending physical walls through the power of imagination and the written word.
Résumé de la recherche
Littérature et confinement forcé: le rapport possible
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(c) Copyright Jamal EL ALAOUI (المؤلف) 2026

Ce travail est disponible sous licence Creative Commons Attribution - Pas d’Utilisation Commerciale 4.0 International.
يحتفظ المؤلفون بحقوق الملكية الفكرية الكاملة لمقالاتهم المنشورة في "المجلة المغربية لنشر الأبحاث العلمية"، ويمنحون المجلة حق النشر الأول لهذا العمل. تُنشر جميع المقالات بموجب رخصة المشاع الإبداعي: نسب المصنف – غير تجاري 4.0 دولي (CC BY-NC 4.0).
يُسمح للغير بقراءة المواد المنشورة ونسخها وتوزيعها وإعادة استخدامها وتكييفها لأغراض غير تجارية، شريطة الإحالة الكاملة إلى المؤلف والمجلة كمصدر أصلي للنشر، مع عدم السماح بأي استعمال تجاري للمحتوى دون إذن كتابي مسبق من إدارة المجلة.